An important case study of chiefdom collapse and societal reemergence

Caborn-Welborn, a late Mississippian (A.D. 1400-1700) farming society centered at the confluence of the Ohio and Wabash Rivers (in what is now southwestern Indiana, southeastern Illinois, and northwestern Kentucky), developed following the collapse of the Angel chiefdom (A.D. 1000-1400). Using ceramic and settlement data, David Pollack examines the ways in which that new society reconstructed social, political, and economic relationships from the remnants of the Angel chiefdom. Unlike most instances of the demise of a complex society led by elites, the Caborn-Welborn population did not become more inward-looking, as indicated by an increase in extraregional interaction, nor did they disperse to smaller more widely scattered settlements, as evidenced by a continuation of a hierarchy that included large villages.

This book makes available for the first time detailed, well-illustrated descriptions of Caborn-Welborn ceramics, identifies ceramic types and attributes that reflect Caborn-Welborn interaction with Oneota tribal groups and central Mississippi valley Mississippian groups, and offers an internal regional chronology. Based on intraregional differences in ceramic decoration, the types of vessels interred with the dead, and cemetery location, Pollack suggests that in addition to the former Angel population, Caborn-Welborn society may have included households that relocated to the Ohio/Wabash confluence from nearby collapsing polities, and that Caborn-Welborn’s sociopolitical organization could be better considered as a riverine confederacy.
 

The courtroom, like the movie theater, is an arena for the telling and interpreting of stories. Investigators piece them together, witnesses tell them, advocates retell them, and judges and juries assess their plausibility. These narratives reconstitute absent events through words, and their filming constitutes a double narrative: one important cultural practice rendered in the terms of another.
 
Drawing on both film studies and legal scholarship, David A. Black explores the implications of representing court procedure, as well as other phases of legal process, in film. His study ranges from an inquiry into the common metaphorical ground between film and law, explored through "the detective" and "the witness," to a critical survey of legal writings about the cinema, to close analyses of key films about law. In examining multiple aspects of law in film, Black sustains a focus on the central importance of narrative while also unearthing the influences—pleasure in film, power in law—that lie beyond the narrative realm. Black's penetrating study treats questions of narrative authority and structure, social authority, and cultural history, revealing the underlying historical, cultural, and cognitive connections between legal and cinematic practices.
 

Based on meetings held in Tucson, Arizona in 1984, this volume brought up-to-date recent advances and research on the cosmogony of stars and planets. This book presents the written thoughts of the principle speakers (and their colleagues) from the 1984 meeting. This work continued work started in 1978 to investigate the problems of star formation and the formation of the solar system.